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| 1920 |
Art Director's Club of New York founded |
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| 1920- |
Architectural Digest |
1920-1930 |
Will Bradley typographic supervisor of all Hearst publications |
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| 1922 |
Veshch/Object/Gegenstand founded by El Lissitzky. Addressed idea of linear continuity. |
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| 1922-1963 |
Westvaco Inspirations for Printers |
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| 1922- |
Better Homes & Gardens |
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Harvard Business Review |
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Reader's Digest |
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1923- |
Architecture |
| | Time |
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1923-1932 |
Kurt Schwitter's Merz. Design incorporated modernist elements; bold rules, sans serif type. |
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1924-1986 |
Saturday review |
| 1925- | The New Yorker |
1923 |
Pineles emigrates to the U.S. |
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1925-1938 |
AIZ (Arbeiter illustrierte Zeitung) Communist weekly established by Willi Muenzenberg |
1928 |
Dr.Agha made chief assistant at German Vogue |
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1926 |
First printing of Bauhaus magazine |
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Alexander Liberman designs Vu |
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1927- |
Current Science |
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1928 |
Vu( France) |
1929 |
Agha emigrates to the U.S. |
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1929 |
Mise en Page |
1929-1943 |
Agha art director of Conde Nast publications; Vogue, Vanity Fair and House & Garden |
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1929- |
Business Week |
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| 1929 |
Harper's bazaar adds extra "a" to name |
1909 |
Conde Nast buys Vogue |
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| 1930- |
Fortune |
1930 |
Vogue prints first bleed edged photo. |
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Advertising Age |
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Double page spread introduced in Vanity fair |
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1930-1959 |
Charm |
1931 |
Alan Fletcher |
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1931- |
Apparel Arts, later GQ:Gentleman's Quarterly |
1931 |
Brodovitch emigrates to the U.S. and begins teaching modern graphic techniques at the Museum School of Industrial Art in Philadelphia. |
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1932 |
First full color photograph on cover of Vogue |
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1932- |
Family Circle Magazine |
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1933- |
Esquire |
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Newsweek |
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U.S.News and World Report |
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1933-1941 |
SSSR na Stroíke (USSR in construction) |
1930-1941 |
Lissitzky and Alexander Rodchenko design SSSR Na Stroike |
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1934- |
Bride's |
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1935- |
Mademoiselle |
1934-1958 |
Brodovitch art director of Harper's Bazaar |
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1936- |
Consumer Reports |
1938-1945 |
Pineles art director of Glamour |
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1936-1972 |
Life |
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1937- |
American Artist |
1938-1962 |
Bradbury Thompson designs Westvaco Inspirations for Printers |
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Popular Photography |
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1937-1971 |
Look |
1939 |
Francis Brennan succeeds Eleanor Tracy as art director of Fortune |
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1939- |
Glamour |
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1941- |
Scope |
1942 |
Pineles first female director of Art Directors Club. |
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1941-1949 |
View |
1943 |
Alexander Liberman art director of Vogue. |
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1942 |
Fortune receives new cover look and format |
1944-1956 |
Lester Beall designsScopefor Upjohn Pharmaceuticals. |
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1944- |
Seventeen |
1944-1946 |
Lustig visual research director for Look. |
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1945-1949 |
Will Burtin art director of Fortune |
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Cipe Pineles art director of Glamour. |
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1945-1948 |
Junior Bazaar |
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1945- |
Commentary |
1945-1949 |
Burtin designs Scopewith Beall. |
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Ebony |
1946-1947 |
Brodovitch art director of Junior Bazaar |
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Elle |
1947 |
Magnum Agency founded by Robert Capa, Cartier-Bresson, David Seymour and George Rodger to own and preserve photographer's copyrights. |
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1946- |
Holiday, laterTravel Holiday |
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1947- |
Road & Track |
1947-1950 |
Pineles art director of Seventeen |
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1949- |
Motor Trend |
1949 |
Bradbury Thompson art director of Mademoiselle |
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1949-1951 |
Brodovitch and Frank Zachary co-editors of Portfolio |
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1950-1951 |
Portfolio |
1950-1951 |
Pineles art director of Charm |
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Flair |
1952 |
Beall opens office at Dumbarton Farm, CT |
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1951-1957 |
Gentry |
1952-1958 |
Lustig art director of Art Digest |
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1953- |
Playboy |
1953-1956 |
Henry Wolf art director of Esquire |
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1954- |
International Director, later ID |
1953-1967 |
Otto Storch art director of McCall's |
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1955- |
Young Miss, later YM |
1953-1968 |
Allen Hurlburt art director of Look |
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1956-1957 |
The Complete Imbiber, promoting Gilbey's Gin, designed by FHK Henrion |
1954 |
Alvin Lustig styles Industrial Design |
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1957 |
Fletcher designs Fortune and Time-Life |
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1956- |
Bon Appetit |
1958-1961 |
Henry Wolf art director of Harper's Bazaar |
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1959-1970 |
Twen (Germany) |
1959-1966 |
Peter Knapp art director of Elle |
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1959-1970 |
Willi Fleckhaus art director of Twen |
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1961-1963 |
Show |
1960-1971 |
Walter Allner art director of Fortune |
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1960-1990 |
Bill Slack designs Architectural Review |
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1962 |
Eros |
1961 |
Bernard Quint art director of Life |
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1962- |
Sunday Times Magazine |
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Pineles and Burtin marry |
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1962- |
Artforum |
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Liberman editorial director of all Conde Nast publications |
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1964- |
Surfing |
1961-1964 |
Henry Wolf art director of Show |
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1965- |
Aspen |
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1965-1975 |
Nova, a radical women's monthly |
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1965-1987 |
Signature |
1961-19?? |
Lubalin redesignsSaturday Evening Post |
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1967-1990 |
Psychology Today |
1962 |
Diane Vreeland leaves Harper's Bazaar to join Vogue |
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1967- |
Oz, Richard Neville and Martin Sharp |
1963 |
Vreeland named editor-in-chief of Vogue |
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Fact |
1965 |
Richard Avedon leaves Harper's Bazaar to photograph for Vogue |
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1967-1975 |
Avant Garde |
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1967- |
Rolling Stone |
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1968- |
New York |
1963-1964 |
Tom Wolsley art director of Queen |
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1969-1973 |
Audience |
1967-1970 |
Dugald Sturmer at Ramparts |
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1969- |
Metropolitan Home |
1968 |
Lubalin designs Avant Garde and Avant Garde typeface. |
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1970- |
Smithsonian magazine |
1970-1971 |
Terry Jones art director of LondonVanity Fair |
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1972- |
Gallery |
1971 |
Agha elected to Art Director's Hall of Fame |
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Money |
1971- |
Wolfgang Behnken art director of Stem |
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Ms. |
1972 |
Beall and Brodovitch inducted into the Art Director's Hall of Fame |
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1974- |
People |
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1975- |
City of San Francisco |
1972-1977 |
Terry Jones art director of British Vogue |
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1975- |
Byte |
1973 |
Lubalin co-founds edits and designsU&Ic with Edward Rondthaler and Aaron Burns |
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1976 |
Emergence of Punk movement in England |
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Grace Mirabella editor-in-chief at Vogue |
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1977-1985 |
Skrien, Dutch Cinema magazine |
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Rochelle Udell art director at Vogue |
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1978 |
Smash Hits, English teenage music magazine |
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1979 |
Conde Nast startsSelf and acquires GQ |
1977 |
Lubalin inducted into Art Director's Hall of Fame |
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1979-1981 |
Hard Werken,by Rotterdam design group of the same name |
1978 |
Keith Ablitt art director of Design |
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1979-1984 |
Cuisine |
1979 |
Giusti inducted into the Art Director's Hall of Fame |
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1980 |
The Face |
1980-1983 |
Willi Fleckhaus art director of FAZ |
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1980- |
i-D |
1980- |
Terry Jones art director of i-D |
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1980-1981 |
Fetish, by Jane Kosstrin and David Stirling |
1981 |
Neville Brody art director of The Face |
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1981- |
Metropolis |
1983 |
Keith Ablitt reformats Design |
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1982- |
Details |
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PC Magazine |
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1983 |
Conde Nast revives Vanity Fair and buys Gourmet magazine |
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1983- |
Blueprint |
1985 |
Regiz Pagniez art director of Elle |
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1984 |
NATO(Narrative Architecture Today) |
1988 |
Erik Ungless art director of Vogue |
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1984 |
Apple Macintosh computer launched |
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Alexander Liberman redesignsVogue |
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1984- |
MacWorld |
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Utne Reader |
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1985 |
Newsweek reformatted |
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1985- |
Elle (U.S) |
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Emigre |
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L.A. Style |
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MacUser |
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Spin |
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1986- |
Spy |
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1987- |
Conde Nast Traveler |
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Premiere |
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1988- |
Lear's |
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1989- |
Elle Decoration |
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Garbage |
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Mirabella |
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